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PunjabiBook-6Vaisakhi:Why there are Four True Thrones for Khalsas and Nirmallae Santan? - 13.

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  • uploaded: Jun 16, 2012
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PunjabiBook-6Vaisakhi:Why there are Four True Thrones for Khalsas and Nirmallae Santan? - 13.
Punjabi Fonts:DRChatrik.
4[ akfl qKLq:- ijvyN ik bfxI ivc dwisaf hY ik hirmMdr sfihb “Bgqn (iswKF) aqy sMqn (inrmilaF)” dy leI akfl purK dy gux gfAux leI hY ies leI ieh swcf qKLq swcy pfqsLfh hir goibMd jI ny sB qoN vwzy cOQy bRfhmx vrn dy sbMD ivc “hir” dy nfAuN bxvfieaf sI aqy ieh sB qoN vwzy cOQy pd jF pMQ dy inrmly sMqF leI hY. eyQy Dfrimk msilaF ’qy ivcfr huMdI hY aqy rUhfnI JgiVaF df PYslf vI kIqf jFdf hY. eyQy df hI jwQydfr hirmMdr sfihb df pRkfsL krdf hY aqy bfxI dI ivafiKaf kr ky “sLbd ByNt” kVfh pRsLfd vMzdf hY.
akfl qKLq df insLfn sfihb duwD vFg icwtf huMdf hY aqy inrmly sMq vI icwty hI kpVy pfAuNdy hn. inrmly sMqF ny nfm df do DfrI KMzf clfAuxf hY nf ik lohy df. ies leI akfl qKLq ’qy vI nf koeI Èsqr huMdy hn aqy nf hI insLfn sfihb ’qy KMzf huMdf hY. Bfv ieh ik hirmMdr sfihb qF cOhF vrnF ƒ ieko hI AupdysL idMdf hY aqy ieh swiqgurU nfnk dyv jI df Gr qF sfiraF ƒ KuwlHf hY.
Xfd rwKo ik mMdr jfqF dy hox krky sfiraF ƒ nhIN KulHy huMdy aqy mn dy aMnHy bRfhmxF ny dUjI jfqF dy lokF ƒ roikaf aqy BgqF dI vI pCfx nf kr sky. hux ieh dso ik hirmMdr sfihb dI izEVI mohry nyjLy vflf sMqrI ikAuN KVf kIqf hoieaf hY? ies leI awj hirmMdr qF iek sony df hrImMdr bixaf hoieaf hY aqy aMimRqsrIey TwgF dy mfl mqy leI vI sMqrI hoxf lfjLmI hY!!!
Xfd rwKo ik ijvyN swiqgurU rfm dfs jI ny mugLl bfdsLfh qoN jLmIn dy pty ƒ nFh kr idqI sI aqy ikhf sI ik jo iswK ilafAuxgy AuhI pwkygf iqvyN hI iksy vI Dfrimk asQfn df bYNk ivc pYsf nhIN hoxf cfhIdf hY.
Xfd rwKo ik akfl qKLq ’qy swcy pfqsLfh hir goibMd jI ny “goibMd” dy nfAuN dy Èsqr pfey sn aqy jdoN “AupkfrI” buinafd `qy swcy pfqsLfh goibMd rfey jI ny “prAupkfrI” qIsrf Kflsf pMQ KVHf kr idqf qF iPr ÈsqrF dI jgHf swcy qKLq kysgVH sfihb ’qy clI geI sI. hux ikAuNik ieh asQfn Bgqn (iswKF, ijhVy ik sMgqF ƒ pRxfm krx vfly huMdy hn) aqy sMqn (ijhVy ik sMgqF ƒ nmskfr krn vfly huMdy hn) df hY ies leI eyQy iksy Èsqr dI loV nhIN huMdI aqy iesy ƒ muK rwKidaF swcy pfqsLfh goibMd isMG jI eyQy nhIN afey sn. ikAuNik eyQy ÉflisaF df koeI kMm nhIN ies leI eyQy iksy vI QF ’qy ÉflisaF vflf jYkfrf “vfihgurU jI kf Kflsf vfihgurU jI kI Pqih” nhIN bulfieaf jf skdf. ies dI pUrI jfxkfrI leI qusIN myry hor afrtIkl pVHo.
5[ qKLq dmdmI tksfl:- ieh “sLMkr vrn” sbMDI hY ijhVf ik isrÌ kiljug ivc hI afpxy rMg idKfAuNdf hY. sLMkr vrn dy lok “mn dy aMnyH aWqvfdI aqy iehnF dy afgU mn dy kfxy mwkfr hrfmI” hox krky ies vrn dy lok bhuq hI jnUnI huMdy hn. iehnF df vyrvf ieMj hY:-
hux ipCly jugF ivc lok ihMdU huMdy sn aqy koeI vI afpxI jfq nhIN sI CupfAuNdf. pr kiljug ivc bRfhmx vrn dy lok afp hI afpxI jfq Bul jFdy hn qF Auh dUsiraF ƒ kI dwsxgy? ijvyN ik iswK iksy sLkl df nfAuN nhIN huMdf blik Auh huMdf hY ijs ny kuJ rUhfnI igafn iswiKaf hovy. iesy qrHF ihMdU vI bodI jnyAU nfl nhIN huMdf blik Auh huMdf hY ijs ƒ afpxI “hoNd” Bfv ik afpxI jfqI aqy bfsI df pqf hovy. hux ijvyN ipMz ivc koeI anjfx afdmI afvy qF Aus dI jfxkfrI leI Aus ƒ Aus dI “hoNd” puwCx leI svfl krI df hY “afp kOx huMdy ho?” qF ies svfl dy jvfb ivc Auh quhfƒ afpxI jfx pCfx “jfqI aqy bfsI” ds ky krdf hY ik myrf nfAuN ieh hY aqy mYN Plfxy ipMz df jwt jF cUhVf, afid hF. hux kMjrI dy pyt ivcoN pYdf hoey dI koeI jfq nhIN huMdI aqy Aus ƒ afpF iek “hrfmI” afKdy hF. pr ijhVf afdmI afpxI jfq jfx buJ ky Cupfey qF Auh kMjrI dy pyt ivcoN pYdf hoey “hrfmI” nfloN vI ikqy vwD ky “sLYqfn hrfmI” huMdf hY ijvyN ik Auh KwqrI aroVy ijhVy ik ierfn afid mulkF ivc Boly Bfly lokF ƒ lwutdy sn aqy qn dy bxfAutI muslmfn bx ky afpxI kOm “sLyK” kihlfAux lwgy.



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