Sheeple, the numbers 4 and 8 have been used by Carlos Castaneda as well.
Do you think there is a connection between his writings and the ancient numerology?

elaborate please....i don't understand completely....no sarcasim...i'm sincerely intrested.

Generation of practitioners peer to Castaneda (Compact group for “three-pronged Nagual”)
- Florinda Donner-Grau — “Northerly” “dreamer” in Castaneda’s generation of practitioners
- Taisha Abelar — “Westerly” “self-stalker” in Castaneda’s generation of practitioners
- Carol Tiggs — “nagual woman” in Castaneda’s generation of practitioners

Generation of practitioners peer to Castaneda (Original group for “four-pronged Nagual”)
- Nestor — the “scholarly man” in Carlos’ generation of practitioners
- Benigno — the “master of intent” in Carlos’ generation of practitioners
- Eligio — a “courier” who ultimately joined previous generation due to Carlos’ lack of ability to follow his explorations of awareness, apparently a manifestation of Carlos not being a four-pronged nagual
- La Gorda — “Northerly” “dreamer” who was originally thought to be the “Southerly” “dreamer”, this was apparently a manifestation of Carlos not being a four-pronged nagual
- Rosa — “Northerly” “dreamer” in Carlos’ generation of practitioners
- Lidia — “Easterly” “dreamer” in Carlos’ generation of practitioners
- Josephina — “Westerly” “dreamer” in Carlos’ generation of practitioners
- Doña Soledad — “Northerly” “self-stalker” in Carlos’ generation of practitioners

Andrea Puharich (1940-1986)
Andrija Puharich: Water Decomposition by AC Electrolysis
US Patent #4,394,230 - Method & Apparatus for Splitting Water Molecules
Dr Andrija Puharich reportedly drove his motor home for hundreds of thousands of miles around North America in the 1970s using only water as fuel. At a mountain pass in Mexico, he collected snow for water. Here is the only article he wrote on the subject, plus his patent:

The present invention involves a method by which a water molecule can be energized by electrical means so as to shift the bond angle from the 104°.degree. configuration to the 109°.degree.28' tetrahedral geometrical configuration.

http://www.sustainedaction.org/Images_Documents/Castaneda_death_cert.htm
1) He was born on Christmas and died between the Catholic and Orthodox Easter days.
2) He supposedly died on 4/27/1998 while the copy of the death certificate was issued on 4/22/1998 ?!

Yeah, him and his buddy Uri Geller with the spoons. Bullshitters.

Sure, not everything one can see is genuine, but also not everything is just black and white.
You seem to be performing on stage, then how many per cent of what you've done so far deserves a place in you personal Hall of Fame?
I could offer you the following experiment: post a photo of a real location that you would like to explore underground. Also, you can just sketch the location keeping the right proportions.
I will try to send you some information what's below the soil at different depths using a remote dowsing technique.
If you already know some of it or plan to explore it in the future, please let me know about the precision of the observation whenever the data becomes available.

Here ya go. Dowse away...

2001 -- A Space Odyssey.
In this ground breaking and universally acclaimed film, based on Clarke's short story "The Sentinel," Clarke and Kubrick explore the impact on humanity of the first proof of the existence of extraterrestrial life -- in the form of an artifact found in the crater Tycho on the Moon. The parallels between Clarke's "fictional" story and the real discovery of artifacts at Cydonia are stunning. At the time Monuments was written, Enterprise principal investigator Richard C. Hoagland had assumed that these connections were merely coincidental, and that his long-time friend was merely "exceptionally prescient." Now of course, we're a bit less naive. Sadly, Kubrick and Clarke's "take" on the prospect of ETs in the Solar System is straight out of "Brookings." In the film, not only is this critical information deliberately withheld from the public (and the rest of the "space agency!"), but that agency is willing to go to any lengths, including sacrificing the crew of the mission sent to investigate, to keep "The Secret." Ultimately, the story takes the crew of the Discovery to Jupiter, and the one surviving member of the mission embarks to investigate another artifact in orbit around Jupiter. The astronaut is ultimately swept away in a sort of "Hyperdimensional Stargate."

This film is certainly in keeping with the general theme of Kubrick's work. From "Paths of Glory" to "Sparticus" to "Full Metal Jacket" to "Eyes Wide Shut," Kubrick's work has had one universal axiom -- power structures are inherently abusive of the power they possess. In the case of "2001" this plays itself out in the central thesis which seems uncomfortably close to our own Cydonia experience -- "if they find, they will hide it."

But it was Clarke who defined the mechanism by which the "Hyperdimensional" transition would be made, through the central symbol of the film, The Monolith. As we have shown previously, Clarke's original idea for the Monolith is that it would be a massive black tetrahedron. However, he eventually decided that such a form would be "too obvious" and instead settled on the rectangular shape. Yet, he was still careful to encode the basic concepts of the tetrahedron in the proportions of the Monolith -- 1 x 4 x 9, the squares of 1,2,3, the ratios of inscribed/circumscribed tetrahedra to their respective spheres (planets).

So the Monolith itself (by Clarke's own admission) is nothing more than a not so thinly disguised "Cydonian" tetrahedron!