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johnsmith · **Joined:** Thu Sep 04, 2008 6:01 pm **Posts:** 522

cornbread714 wrote:

It's funny, I think the best music walks the fine line between order and chaos.

I also like this style, especially ol' good tunes Chicago style long before Dom was born. :sunny:

cornbread714 · **Joined:** Sun Mar 22, 2009 11:11 pm **Posts:** 8910

I know this thread isn't about music, per se, but I have a couple more thoughts while we are on the subject.

It was written about Pythagoras that he was able to express musically whatever was happening around him at the moment. He would adjust his melodies according to the weather, or if birds flew over, whatever happened to be occurring.

To me, this is the same principle involved in improvisational soloing technique, and I'm very interested in music that allows for a certain freedom in tonality, rhythm and all the other elements of musical expression.

There is a certain rigidity associated with Western musical tradition regarding these elements, but no doubt some incredibly beautiful music has been created within those somewhat limiting strictures.

This freedom I speak of does not absolve the musician from discipline, though. In fact, it's the opposite effect - the musician must not only perform from memory (or from the written notes) a piece of music based on strict mathematical formula - but he must also breathe life into the performance. The ear becomes as important as the fingers or the breath, creating a seamless but minutely self-correcting feedback loop between the performer and the piece being played.

Even within the framework of classical music, the performer must "improvise" at some level, no one can play a piece exactly the same way twice, and there are different levels of 'involvement' capable of being reached by different performers. A piece can be played mechanically or played with inspiration and even the untrained ear can probably hear the difference.

I think one of the most important elements is emotion, especially in improvised music. And beyond that is spiritual communication which I believe is also possible to express in music.

It's been said that music is the only activity where a person is involved physically, intellectually, emotionally and spiritually. What do you guys think?

sheeple · **Joined:** Thu Jun 25, 2009 6:40 pm **Posts:** 849

clawspiracy wrote:

Well, we cannot hear 8hz, but we can multiply it by 8 and get 64hz. So If I am able to make a tone... No... I will make a sine wave that resonates at exactly 64hz, which you can hear and match with your own drone (or mantra of choice)... And you can then synchronize to the pulse of the earth.

To "hear" a subsonic frequency, one should use the method of binaural beats by generating simultaneously stereo combination of 432 Hz in the left ear and 440 Hz in the right ear which would result in a subconscious perception of 8 Hz humming noise.
To be more precise, 7.8 Hz is needed to tune well with the beat of Gaia.
That's not all, one can get a headache if the generated acoustic beat is not in-phase with the electromagnetic beat of Gaia.

johnsmith · **Joined:** Thu Sep 04, 2008 6:01 pm **Posts:** 522

http://www.logosfoundation.org/architecture/tetrhall.html wrote:

The acoustic fact that no standing waves can occur in a tetrahedron, makes it a space without preferences about resonance-frequencies. Acoustic waves can never amplify one another in phase and are reflected by the walls under everchanging angles. A tetrahedron space is not at all acoustically dead, but rather acoustically linear. Acoustic efficiency is another big advantage of such a space: with a minimal amount of acoustic output power a maximal space can be filled, a quality that makes it very convenient for musicians not using any electronic amplification. In particular for contemporary and experimental music, where the transparency of detail more than the absolute sound-level is of the utmost importance, this quality is highly meaningful.

warngen · **Joined:** Sun Jul 20, 2008 9:05 am **Posts:** 246

sheeple wrote:

warngen wrote:

very interesting!
thanks.....
anything else? lol

Actually, your birthday (18081988) number is 7, but it is composed of 8 + 8 (1808 and 1988).
Also, the combination "warngen18081988" = 8.
More "discoveries" can be made here: http://www.easynumerology.com/ :cheers:

keeps getting better :cheers:

am i the reincarnation of christ??

haha jk jk :flop:

chickamaka · **Joined:** Thu Jul 09, 2009 12:58 pm **Posts:** 135

Ok Claw, Did the experiment. Input Blood Pressure was 181 over 118 (Forgot to take my blood press. meds) after listening to tone full duration 10 min. Blood pressure is 165 over 111. Didnt notice much of any noticeable body reactions ie muscles or tingleing etc Thanks. Now I am off to take my med.

clawspiracy · **Joined:** Tue Jun 03, 2008 4:16 am **Posts:** 1153

@ chickamaka: I personally found the 512 a bit distracting, and the fact that the exercise was interrupted by the phone twice did not help. I will do version with 512 turned down lower in the mix... Did you chant or utter a sound to match the tone?

Quote:

To "hear" a subsonic frequency, one should use the method of binaural beats by generating simultaneously stereo combination of 432 Hz in the left ear and 440 Hz in the right ear which would result in a subconscious perception of 8 Hz humming noise.
To be more precise, 7.8 Hz is needed to tune well with the beat of Gaia.
That's not all, one can get a headache if the generated acoustic beat is not in-phase with the electromagnetic beat of Gaia.

This seems very good.... I can also place 7.8 or 8 in the mono channel at low volume... That may be an interesting thing... But for now, the next one is 8, 32, 64 for 10 minutes. I may throw in some wind noise on another version for fun...

I will start a thread on it when I got more of them for us to try. I'm interested in what happens especially if you do the exercise right when you wake up...

clawspiracy · **Joined:** Tue Jun 03, 2008 4:16 am **Posts:** 1153

Quote:

It's been said that music is the only activity where a person is involved physically, intellectually, emotionally and spiritually. What do you guys think?

I would say that there is another activity where this is also the case...

warngen · **Joined:** Sun Jul 20, 2008 9:05 am **Posts:** 246

sheeple wrote:

clawspiracy wrote:

Well, we cannot hear 8hz, but we can multiply it by 8 and get 64hz. So If I am able to make a tone... No... I will make a sine wave that resonates at exactly 64hz, which you can hear and match with your own drone (or mantra of choice)... And you can then synchronize to the pulse of the earth.

To "hear" a subsonic frequency, one should use the method of binaural beats by generating simultaneously stereo combination of 432 Hz in the left ear and 440 Hz in the right ear which would result in a subconscious perception of 8 Hz humming noise.
To be more precise, 7.8 Hz is needed to tune well with the beat of Gaia.
That's not all, one can get a headache if the generated acoustic beat is not in-phase with the electromagnetic beat of Gaia.

i cant believe i am just now reading this....

i did a little bit of research into binaural beats and i found some interesting things..

honestly...to me...its the shit

http://healing.about.com/od/theta/a/poweroftheta.htm

and i actually found a place that actually has a theta tone binaural beat

done it and i know it works

but you have to have STEREO HEADPHONES PLUGED INTO THE SLOT ON THE COMPUTER TOWER NOT THE SPEAKERS

http://blip.tv/file/1253519

enjoy

dirttyrabbit · **Joined:** Sun Oct 04, 2009 1:31 am **Posts:** 1643

DNA is a double helix
http://en.wikipedia.org/wiki/DNA

a thread I made a while back
http://www.disclose.tv/forum/post129155.html?hilit=dna#p129155

Harvard cell biology
http://www.youtube.com/watch?v=1Tjz7ya7iAg

A Proposal to change concert pitch to 432hz
http://omega432.blogspot.com/2009/05/pr ... ch-to.html

Quote:

Musicians might want to rethink how you are tuning your instruments. In this blog I will discuss a hypothesis for tuning to natural resonance and why to avoid tuning to A440hz. As some have previously read, I have a twenty nine-year background in music and almost twenty years of independent research into esoteric studies and sympathetic vibratory physics.

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