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Kiefer Sutherland on UFOs: 'I have to believe there is life'

Kiefer Sutherland on UFOs: 'I have to believe there is life'

October 30, 2011 - "Melancholia" star Kiefer Sutherland claims when he appears up into the night time sky"on a very clear night and seethe clean of stars and planets,and everything that is external our universe, I have to feel there is life almost everywhere."

ShowBiz Spy noted that Sutherland believes it would be "arrogant" to feel that humans are the only residing varieties of life in the universe,admitting he typically thinks about aliens when he seems to be into a starry sky.

Kiefer Sutherland's,forty four, new movie Melancholia is explained as an apocalyptic thriller starring,Kirsten Dunst, Charlotte Gainsbourg, and Sutherland. The story revolves close to two sisters' (Dunst & Gainsbourg) combating for survival although


the Earth is about to collide with a approaching rouge world.

See the Melancholia trailer right here.

Sutherland also confessed he likes to believe about his demise, and wonders how he would react he was on board a plane that was heading to crash.

“I hope I would stand by my household to the bitter conclude. I feel about that frequently when I am on the plane. If the plane goes down, how would I deal with it? Would I scream just accept it, or consider to do something about it?” he said.

"Melancholia" is set for release in Cincinnati theaters on November 11,2011.

Do you concur with Kiefer Sutherland concept about aliens living on other planets?

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2011 has given us many new and unique things, of which we have the perfect double bill in Mike Cahill's Another Earth and the latest work from Cannes very own persona non grata Lars Von Trier in Melancholia. Von Trier is one of European cinema's infant terrible, with a personality larger than his cinematic influence, from certain perspectives, at...

Kirsten Dunst and Kiefer Sutherland in Melancholia: movie review

Lars Von Trier's 'Melancholia' is aptly named in this end-of-world story with Kirsten Dunst in a strong, hard-bitten performance. The opening shots of Lars Von Trier's "Melancholia" are astoundingly beautiful and unsettling. Lasting perhaps eight minutes, and backed by Wagner's "Tristan and Isolde," we see a sequence of seemingly disparate images ...

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